During her undergraduate years, she explored community- and Indigenous-led crafts, engaging with traditional practices such as batik, ajrakh (block printing), and weaving (Pattu). After working in the textile industry, her desire to reconnect with more rooted, sustainable practices led her to Colorashram, a natural color community on barter basis where she would learn about the world of natural dyes and in return would provide her painting skills, she immersed herself in the world of natural dyes. This experience became a turning point, as natural dyeing evolved into both a creative process and a tool for self-discovery.She has since continued to deepen her connection with heritage practices through workshops such as Mata ni Pachedi which is an age old art of natural dye painting on textiles where the cloth portrays a mobile temple because some communities in India were not allowed to worship in temples.